Amoretti and Epithalamion G. Senior, to the Author. D ARKE is the day, when Phoebus face is shrowded, and weaker sights may wander soone astray; but when they see his glorious raies vnclowded, with steddy steps they keepe the perfect way, So while this Muse in forraine landes doth stay, inuention weepes, and pens are cast aside. Edmund Spenser Epithalamion Summary. This paper contends that in Prothalamion commercial and heroic ethoi remain. The mercenary and commercial concerns that accumulated around Cadiz. Nov 19, 2011 - Prothalamion, a spousal verse by Edmund Spenser is one of the loveliest wedding odes. Thanks for sharing the summary of Prothalamion. Epithalamion Stanzas 13 through 24 Stanza 13 Summary The bride stands before the altar as the priest offers his blessing upon her and upon the marriage. She blushes, causing the angels to forget their duties and encircle here, while the groom wonders why she should blush to give him her hand in marriage. Literary devices refers to the typical structures used by writers in their works to convey his or her messages in a simple manner to the readers. Its roof is built up people living there. In theyr fresh garments trim. Nymphs, shepherds, and appropriate mythological figures are present to share the poet's joy. PDF downloads of all 1477 LitCharts literature guides, and of every new one we.
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Optimization Summary Optimization is an ode written by Edmund Spencer as a gift to his bride, Elizabeth Bayle, on their feeding day The poem moves through the couples’ wedding day, from the groom’s impatient hours before dawn to the late hours of night after the husband and wife hue consummated their marriage. Spencer is very methodical in his depiction of time as it passes, both in the accurate chronological sense and in the subjective sense Of time as felt by those waiting in anticipation or fear.
As with most classically-inspired works, this ode begins With an invocation to the Muses to help the groom; however, in this case they are o help him awaken his bride, not create his poetic work. Then follows a growing procession of figures who attempt to bestir the bride from her bed. Once the sun has risen, the bride finally awakens and begins her procession to the bridal bower.
She comes to the “temple” (the sanctuary of the church wherein she is to be formally married to the groom) and is wed, then a celebration ensues, Almost immediately, the groom wants everyone to leave and the day to shorten so that he may enjoy the bliss of his wedding night, Once the night arrives, however, the groom turns his thoughts toward the product to their union, praying to various odds that his new wife’s womb might be fertile and give him multiple children. Stanza 1 The groom calls upon the muses to inspire him to properly sing the praises of his beloved bride. He claims he will sing to himself, “as Orpheus did for his own bride. As with most of the following stanzas, this stanza ends with the refrain “The woods shall to me answer and my Echo ring. ” Stanza 2 Before the break of day, the groom urges the muses to head to his beloveds bower, there to awaken her. Hymen, god of marriage, is already awake, and so too should the bride arise. The groom urges the muses to remind his bride that his is her voiding day, an occasion that will return her great delight for all the “Payne and sorrows past. ” Stanza 3 The groom instructs the muses to summon all the nymphs they can to accompany them to the bridal chamber.
On their way, they are to gather all the fragrant flowers they can and decorate the path leading from the “bridal bower,” where the marriage ceremony is to take place, to the door of the bride’s chambers. If they do so, she will tread nothing but flowers on her procession from her rooms to the site of the wedding. As they adorn her doorway with flowers, their song will awaken the bride Stanza 4 Addressing the various nymphs of other natural locales, the groom asks that they tend to their specialties to make the wedding day perfect.
The nymphs who tend the ponds and lakes should make sure the water is clear and unmolested by lively fish, that they may see their own reflections in it and so best prepare themselves to be seen by the bride. The nymphs tooth mountains and woods, who keep deer safe from ravening wolves, should exercise their skills in keeping these selfsame wolves away from the bride this wedding day. Both groups are to be present to help decorate the wedding site with their beauty. Stanza S The groom now addresses his bride directly (even if she is not present) to urge her to awaken.
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Sunrise is long since gone and Phoebes, the sun-god, is showing “his glorious heed. ” The birds are already singing, and the groom insists their song is a call to joy directed at the bride. Stanza 6 The bride has finally awakened, and her eye’s likened to the sun wit their “goodly beams/More bright then Hesperus. ” The groom urges the “daughters Of delight” to attend to the bride, but summons too the Hours of Day and Night, the Seasons, and the “three handmaids” Of Venus to attend as well. He urges he latter to do for his bride what they do for Venus, sing to her as they help her dress for her wedding.
Stanza 7 The bride is ready with her attendant virgins, so now is time for the groomsmen and the groom himself to prepare. The groom implores the sun to shine brightly, but not hotly lest it burn his bride’s fair skin. He then prays to Phoebes, who is both sundo and originator of the arts, to give this one day of the year to him while keeping the rest for himself. He offers to exchange his own poetry as an offering tort this great favor. Stanza 8 The mortal wedding guests and entertainment move into action. The minstrels play their music and sing, while women play their timbre’s and dance.
Yelling boys run throughout the streets crying the wedding song “Hymen Hymen, Hymen” for all to hear. Those hearing the cries applaud the boys and join in with the song. Stanza 9 The groom beholds his bride approaching and compares her to Phoebe (another name for Artemisia, goddess of the moon) clad in white “that seems a virgin best. ” He finds her white attire so appropriate that she seems more angel than woman. In modesty, she avoids the gaze of the myriad admirers and blushes at the songs of praise she is receiving. Stanza 10 The groom asks the women Who see his bride if they have ever seen anyone so beautiful in their town before.
He then launches into a list of all her virtues, starting With her eyes and eventually describing her Whole body. The bride’s overwhelming beauty causes the maidens to forget their song to stare at her. Stanza 11 The groom moves from the external beauty of the bride to her internal beauty, which he claims to see better than anyone else. He praises her lively spirit, her sweet love, her chastity, her faith, her honor, and her modesty. He insists that could her observers see her inner beauty, they would be far more awestruck by it Han they already are by her outward appearance.
Stanza 12 The groom calls tort the doors to the temple to be opened that his bride may enter in and approach the altar in reverence, He offers his bride as an example tort the observing maidens to follow, tort she approaches this holy place with reverence and humility, Stanza 13 The bride stands before the altar as the priest offers his blessing upon her and upon the marriage, She blushes, causing the angels to forget their duties and encircle here, while the groom wonders why she should blush to give him her hand in marriage.
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Stanza 14 The Christian part of the wedding ceremony is over, and the groom asks that the bride to be brought home again and the celebration to start, He calls for feasting and drinking, turning his attention from the “almighty” God of the church to the “God Bacchus,” Hymen, and the Graces. Stanza 15 The groom reiterates his affirmation that this day is holy and calls everyone to celebrate in response to the ringing bells.
He exults that the sun is so bright and the day so beautiful, then changes his tone to regret as he realize his voiding is taking place on the summer solstice, the longest day Of the year, and so his eightieth nuptial bliss will be delayed all the longer, yet last only briefly. Stanza The groom continues his frustrated complaint that the day is too long, but grows hopeful as at long last the evening begins its arrival.
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Seeing the evening start in the East, he addresses is as “F-rare child of beauty, glorious lamp of Lou,” urging it to come forward and hasten the time for the newlyweds to consummate their marriage. Stanza 17 The groom urges the singers and dancers to leave the wedding, but take the bride to her bed as they depart. He is eager to be alone with his bride, and amperes the sight of her lying in bed to that to Maim, the mountain goddess with whom Zeus conceived Hermes, Stanza 18 Night has come at last, and the groom asks Night to cover and protect them.
He makes another comparison to mythology, this time Zeus’ affair with Elegance and his affair with Night herself. Stanza 19 The groom prays that no evil spirits or bad thoughts would reach the newlyweds this night. The entire stanza is a list of possible dangers he pleads to leave them alone Stanza 20 The groom bids silence to prevail and sleep to come when it is the proper time. Until then, he encourages the “hundred little winged Issues” to fly about the bed. These tiny Cupids are to enjoy themselves as much as possible until daybreak.
Edmund Spenser Epithalamion Summary
Stanza 21 The groom notices Cynthia, the moon, peering through his window and prays to her for a favorable wedding night. He specifically asks that she make his bride’s “chaste womb” fertile this night. Stanza 22 The groom adds more deities to his list of patron. He asks Junco, wife of Zeus and goddess of marriage, to make their union strong and sacred, then turns her attention toward making it fruitful. So, too, he asks Web and Hymen to do the same for them. Stanza 23 The groom utters and all-encompassing prayer to all the gods in the heavens, that they might bless this marriage.